So if color 16 was re-mapped to voice port 1, you may alsoĭecide to remap color 16 to color 1 to avoid it being used as a special purpose color by Harmless. For example, note color 16 controls filter cutoff frequency in Harmless. Why would you want to do that? Some note colors are used by certain plugins for special NOTE: Voice port mappings can be automated, Right click a color, select ' Activate' then right-click again to select automation options as usual.Ĭolor mapping changes the note color associated with a voice as it passes through VFX Color Mapper.

There are no restrictions on how many colors map to the same

Mapping - Click the drop-down menu on a color to redirect a note color to the desired voice port.

Drag a link from the target plugin to the middle of VFX Color Mapper and release to select ports 5 to 16.

Colors - By default note colors 1 to 16 are mapped to voice ports 1 to 16 AND only voice ports 1 to 4 are activated on the output.

Note related properties ( Pan, Velocity, Mod X, Mod Y & Fine Pitch). A voice port is conceptually similar to a MIDI channel except that it is limited to note data including

VFX Color Mapper sends 'voice' data, note and note related events, to linked plugins. For fast linking drop on the Events link into the plugin you would like To the Patcher project by dragging from the Browser > Effects > Voice category and drop on the Patcher Map. In most cases there's no need to adjust the Voice output or Color mappings. Independent generators/instruments (or groups of generators) may be controlled from the 16 note colors of the Piano roll. When VFX (voice effects) Color Mapper is used in Patcher, up to 16

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